Monday, June 3, 2013

Manalive! Or: Commandments, Not Conventions.

What would you do if an old friend from sent you this message: "Man found alive with two legs"?  You'd be puzzled, would you not?  Or at least consider that your friend must have lost his metaphysical marbles.  And what if that friend were named Innocent Smith? (An innocuous title to be sure!)  Would you really think him not just insane, but also a murderer, bigamist, and a burglar?

 If you did, you would be right to think so.  You would also be wrong.  If nothing else, you would be in full agreement with Drs. Herbert Warner and Cyrus Pym, characters in Gilbert Keith Chesterton's brilliant novel Manalive.    -- Then again, of course, maybe you wouldn't.  After all, a man has been found alive with two legs.

To be quite fair, you are probably now confused.  Perhaps you are so confused that you have stopped reading, and I write this post in vain.  But if, perchance, you have not given up, then I think I have a treat for you.  This treat - this treasure - is called knowledge, and I believe you may get a good deal of it from Chesterton's book, and a little of it (hopefully) from this post.  

Before I go on, let met first warn you that I may give one or three small "spoilers."  So if you don't want them, stop here.  Turn back and repent.  (Regardless of whether you do read on, that last one is not such a bad idea - not enough people try it.  I think it comes down to the fact that they do not realize how well sackcloth and ashes suit them.  And me.  But I digress.)  I will not, however, summarize the whole book, as no truly good book should be merely summarized (such methods tend to give you a picture of half a shoelace when they should be showing you the cobbler's shop).  Rather, I will describe just a few parts - well, one part really; a little bauble from this treasure-trove - as an appetizer which I hope will whet your appetite for more that this great author has to offer.  Thus I (finally!) begin:

                                                                                   



In this excerpt, from the Google Books version of Manalive***, our burglar (Innocent Smith) has broken into a house by coming down the chimney, bringing with him a perplexed English curate.  Smith's eccentric if not criminal actions (in my opinion they are not criminal, for reasons which, I hope, will become evident) show us several things.

First, and most obviously, the curate discovers more about the nature of stealing (but that much is obvious from this text).  But he then learns something else, something curious: the house they have broken into is Smith's.  The wine Smith drinks is his own.  But why should a man steal his own possessions, or break into his own house?

The startling conclusion the curate reaches is partly this: Smith has learned the art of coveting his own goods instead of his neighbor's.  Smith has found a way - odd, no doubt - of reminding himself that he is alive, and how to love that which he has as if it were not his (his interesting and rather wild way of re-courting his wife is another prominent example of this).  He has discovered how to break the conventions while keeping the Commandments, and the character Michael Moon rightly says that it is this that constitutes Smith's "spiritual power" (Part II, Chapter IV).

It seems as if Chesterton echoes through the antics of Innocent Smith, the blameless "guilty" man, some of the same sentiment he meant to convey when he said "A dead thing goes with the stream, but only a living thing can go against it." And Smith is certainly a living thing.  Indeed, he is a Living thing, if you take my meaning.  What I think Chesterton is getting at in Manalive, at least in part, is that conventions, not Commandments, constrain.  It is that we can - and in some cases should - dispense with custom, but not with creed.  Smith certainly does.  And if this behavior, if these, his wild but morally upright shenanigans lead him (as they seem to) to be the happiest character in the book -- well, might not the same be true for us?

Perhaps that is too many thoughts for one post.  Perhaps it is too few.  Nevertheless and regardless, I leave you with one more: remember that you are dust, and to dust you shall return.  For a man has been found alive with two legs.

Riddle me that if you can!


**Thanks to tumblr_lmw26wyQ841qe7ziso1_500.jpg for the above picture of the man with a gun.
***Thanks to http://books.google.com/books?id=ckCzB8f_vC8C&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q=a%20millionth%20part&f=false    for the excerpts (pages 220-221).

Saturday, May 25, 2013

Whimsical Whatnot and An Excuse for Not Posting

Pardon the pause in posting!  Summer is upon me, and so too is the languor of its lazy days.  (Well, perhaps I cannot claim my own summer days are quite "lazy," but though there is not always less for me to do there tends to be more time to do it in.  In a way, I sometimes feel I have merely exchanged one busy job for another.)

Here, to tide you over until I come up with another, more proper post, are a few dust bunnies out of my "Wit and Whimsy" drawer.  As ever, they are of my own composition and their meanings may be found above under "Answers."

Riddle 1G:

Half a morning
Half a night
Between the dark
And the light
What am I?

Riddle 2G: 

Rings like eyes
Legs like knives
Open and shut
What was whole
Is now cut
What am I?

Friday, April 26, 2013

Poem: Red is the Rose


JMJ
Red is the Rose
By Caitlin Clancy
Copyright 2013

Note: The refrain of this piece (and the title) is taken from a song by the Clancy Brothers, to whom, I should add, I am no relative in spite of the name.  I also was inspired by and took some of the image ideas from another song – I don’t know the title – that was performed at the Arlington Diocese pro-life youth rally some years back.  To the author of that unremembered song, therefore, I also am indebted.  Additionally, I have included some of my own authorial reflections below.

Red is the Rose 
That in yonder garden grows
Fair is the lily of the valley
Clear is the water
That flows from the Boyne
And my love is fairer than any

Red was the Rose 
That Friday morn
Red was the Rose
Indeed

In its quiet corner
Of the yard
Its petals perfect
Arrayed and starred
Its slender stalk
Was jerked and jarred
By a centurion’s hand

Red was the Rose
That the soldier plucked
The bloom that ne’er
Saw night

And little did poor
Brilliant red-heart Rose
Wonder that pain
Grows and grows
As the angered crowd
Crows and crows
“The Just One, Crucify!”

Ripped from its bed
Uprooted and torn
From beauty unblossomed
Of innocence shorn
Wrapped in a loop
Thrice a curse
Round sacred Head
Punished worse
By silence
Death He would disperse –
And so the world goes on.

Red is the Rose 
That in yonder garden grows
Fair is the lily of the valley

Fast in its knot
The rose was dead
The Woman saw it
As He was led
Upon the road
Beneath the cross
The world, His weight
Their joy, Her loss

White was the Lily
Who stood and watched
White was the Lily
Indeed

And white was her veil
Who wept beside
Who fully knew
What woe betide;
She alone
Could not jeer
She alone
Had Dolors, not cheer
Who from His
First and silent year
Knew what the wise knew not.

Red is the Rose 
That in yonder garden grows
Fair is the lily of the valley

Sharp came the thrust
Into the Temple
The spear that broke the law
Hard twixt the ribs
Of the Holy of Holies
The cold metal point
Waxed raw         

Clear was the water
That flowed from the Temple
Clear was the water
Indeed

And the rose pressed hard
On the bloody wood
And the Lily wept
As no one could;
And they looked on His face
And did not remain
Knowing the Child
That they had slain
And filled their hearts
With the blood
Of Cain. 

Red is the Rose 
That in yonder garden grows
Fair is the lily of the valley

The rose, cast aside
On the hillside,
To wither, rot, decay
Blossomed one fair morning
A solemn, paschal day;
It budded and it blossomed
It lifted up its head
Never to fade or fall again
Never to shrivel
Never to sin
Never to lie cold
When the Word walks in –
As though all Hope were dead! 

Red is the Rose 
That in yonder garden grows
Fair is the lily of the valley
Clear is the water
That flows from the Boyne
And my love is fairer than any



Author's Notes:  

This poem, if it is not already obvious, centers on the Passion of Christ.  I thought that the verse of the Clancy Brother's song especially appropriate to incorporate as the images it presents fit so well with the events of the Crucifixion (for instance, the water flowing from the side of Christ, Our Lady's purity as exemplified by the lily, etc.).  Also - and I confess I got this idea from the song-mentioned-above-the-title-of-which-I-cannot-recall - that the rose may be taken as the metaphor of the individual soul and its journey.  

And for those of you who (like me) get unreasonably excited by numeric significance and the like: note that the number of stanzas (refrains excepted) comes to 12 (like the Apostles and the Tribes of Israel): five at the first, then three, three, and one.  I am not sure where the five come from, but there seems to be a kind of unconscious Trinity metaphor mixed into the latter part.  But what can I say?  It seems to me that such unintentional creations (and the numerical structure of this piece was, I avow, quite unintentional) are likely the simple and natural product of Catholic blood.

Saturday, April 13, 2013

More Mind Games to Stimulate Your Little Grey Cells...


Should the solutions to these little beauties leave you flummoxed, please do see the "Answers" page.  Bon Appetite!  


1E.
Hey, diddle diddle
The cat with the fiddle
Around the mulberry bush
Did run
He found a black spider
And sat down beside her
And the rain was dried up by
The sun
What are we?

 2E.
Fathers are bucks
Mothers are does
Children are kits
Big ears, little nose
What are they?

Sunday, April 7, 2013

Tie Your Brain in Knots!


Here are a couple of new ones to kick off your week - enjoy!  Answers, as perpetually re-noted every time I post riddles, are to be found on the page so denoted. 


1D.
Under your cap
Over your eyes
Sometimes it’s tame
Sometimes it flies
What is it?

2D.
Hot or cold
Calm or bold
Dark or light
Blue or white
What is it?


Saturday, March 23, 2013

Spotlight Author: Lord Byron


Today I depart somewhat from my usual manner of posting, and provide for your edification a piece I wrote as an introduction to an English author of great renown: Lord Byron.  Below the introduction I include his poem "When We Two Parted," as well as a portion of "Mazeppa," which includes one of my favorite Byron quotes (italicized).  I hope by the second piece to lessen the mournful mood "When We Two Parted" may leave you in - an effect I find rather unfortunate, as I wish to share Byron's poetic genius without depressing anybody, myself included!  


Lord Byron's “When We Two Parted”
An Introduction by Caitlin Clancy 

            Born in 1788, George Gordon, the sixth Lord Byron, became a prominent English Romantic satirist and poet.  A handsome and “flamboyant” man, Byron was given to excessive promiscuous behavior, which eventually led to public scandal and his being ostracized** from society.  In 1816, he left England permanently and died in Greece in 1824.  During his life, Byron was characterized by certain rather narcissistic characteristics, including a keen desire for sympathy, a passionate yearning for public notice, and a failure to accept criticism well.  Whatever his character flaws, though, Byron captivated his audience with the image of himself in his writings and with a sharp and honest mind that continuously probed skepticism’s furthest reaches.  His works, encompassing a broad spectrum, include the satirical English Bards and Scotch Reviewers as well as Don Juan, Byron’s masterwork, which reveals his artfulness as a storyteller, his lyrical and cynical qualities, as well as his abhorrence for convention.  This attitude towards convention in particular was prominent among romantics.  While authors of the preceding neoclassic period (roughly 1660-1800) adhered more to traditional forms and held innovation suspect, the romantics reversed this tendency and viewed poetry as a spontaneous endeavor stemming from the author’s emotions and unconfined by strict forms.  Romanticism, unlike neoclassicism, encouraged readers to view the protagonist as the poet himself.  In “When We Two Parted,” for example, one might see the speaker as Byron farewelling the mistress of one of his numerous liaisons.  Additionally, romantic characters were often misfits or outsiders to society, and Byron’s invention, the “Byronic hero,” fits this category: such a hero has a significant crime hidden in his past and is characterized by being solitary, insubordinate, and enigmatic.  Byron’s legacy as a poet, it would seem, both encompassed and surpassed his faults as a man, leading some to place him among the great Romantics.

When we Two parted
  
WHEN we two parted 
  In silence and tears, 
Half broken-hearted 
  To sever for years, 
Pale grew thy cheek and cold,         5
  Colder thy kiss; 
Truly that hour foretold 
  Sorrow to this. 
 
The dew of the morning 
  Sunk chill on my brow—  10
It felt like the warning 
  Of what I feel now. 
Thy vows are all broken, 
  And light is thy fame: 
I hear thy name spoken,  15
  And share in its shame. 
 
They name thee before me, 
  A knell to mine ear; 
A shudder comes o'er me— 
  Why wert thou so dear?  20
They know not I knew thee, 
  Who knew thee too well: 
Long, long shall I rue thee, 
  Too deeply to tell. 
 
In secret we met—  25
  In silence I grieve, 
That thy heart could forget, 
  Thy spirit deceive. 
If I should meet thee 
  After long years,  30
How should I greet thee? 
  With silence and tears.
(This text may be found at http://www.bartleby.com/101/597.html)


From "Mazeppa":

...Up rose the sun; the mists were curled 
Back from the solitary world 

Which lay around - behind - before; 

What booted it to traverse o'er 

Plain, forest, river? Man nor brute, 

Nor dint of hoof, nor print of foot, 

Lay in the wild luxuriant soil; 

No sign of travel - none of toll; 

The very air was mute: 

And not an insect's shrill small horn, 

Nor matin bird's new voice was borne 

From herb nor thicket. Many a werst, 

Panting as if his heart would burst, 

The weary brute still staggered on; 

And still we were - or seemed - alone: 

At length, while reeling on our way, 

Methought I heard a courser neigh, 

From out yon tuft of blackening firs. 

Is it the wind those branches stirs? 

No, no! from out the forest prance 

A trampling troop; I see them come I 

In one vast squadron they advance! 

I strove to cry - my lips were dumb. 

The steeds rush on in plunging pride; 

But where are they the reins to guide? 

A thousand horse - and none to ride! 

With flowing tail, and flying mane, 

Wide nostrils never stretched by pain,
 

Mouths bloodless to the bit or rein,
 

And feet that iron never shod,
 

And flanks unscarred by spur or rod,
 

A thousand horse, the wild, the free,
 

Like waves that follow o'er the sea, ...


(from http://classiclit.about.com/library/bl-etexts/lbyron/bl-lbyron-mazeppa.htm)


Works Cited (these pertain to the Introduction)
Snyder, Robert Lance. "George Gordon, Lord Byron." Critical Survey Of Poetry, Second Revised Edition (2002): 1. Biography Reference Center. Abbot Vincent Taylor Library. 28 Apr. 2012.
"George Gordon Noel Byron Byron, 6th Baron." Columbia Electronic Encyclopedia, 6Th Edition (2010): 1. Biography Reference Center. Abbot Vincent Taylor Library. 28 Apr. 2012.
 Recollections of the Life of Lord Byron, from the Year 1808 to the End of 1814 by R. C. Dallas; Correspondence of Lord Byron with a Friend; Including His Letters to His Mother; In 1809, 1810, and 1811 by Byron; Journal of the Conversations of Lord Byron; Noted during a Residence with His Lordship at Pisa, in the Years 1821 and 1822 by Thomas Medwin.” North American Review 21.49 (Oct. 1825): 300-359. JSTOR. Abbot Vincent Taylor Library. 30 Apr. 2012.
Abrams, M. H. A Glossary of Literary Terms, Sixth Edition. Fort Worth: Harcourt, 1993. 125-129. Print. 

Saturday, March 16, 2013

Thoroughly Puzzled Yet? =)



1C.
Stem for a neck
Bit for a tail
Fire for its breath
What is it?

2C. 
Wooden body
Sheets on top
Not a bed
Not a cot
What is it?

Answers may be found, as is customary, on the corresponding page so entitled.