Sunday, January 27, 2013

Poem: Recollection


In light of the recent March for Life, an annual peaceful protest against abortion, I have elected to draw out this poem which seemed appropriate for the occasion. (For the record, let it be here established that I am heartily and unabashedly pro-life).  I offer some thoughts here, mostly in the form of a lament, and dedicate them to those many infants who lost their lives, as well as to the thousands of wounded men and women who are their parents.  

Recollection
By Caitlin Clancy

Remember the little ones –
They are come and gone.
A red wave took them.
We hardly knew then.
We hardly knew them.
We did not know them,
Before they had gone.

They were taken in silence.
They were taken in fear.
Why did we not know them?
They were so dear.

Remember the speechless ones
Whose lives ebbed out.
Whose forms are lost to us.
Whose forms are lost to us.
Whose place is lost to us,
Except in doubt.

Remember us weeping ones
On the soundless shore.
Rememb’ring them now.
Rememb’ring them now.
We had forgotten them,
But forget no more.

The dark is behind us;
Before us, the day –
The road may be broken,
But such was our way.

Remember the little ones,
The lost but free.
Remember the little ones.
Remember our precious ones.
Remember our little ones –
Children of the sea.

Sunday, January 13, 2013

Riddle Me This...


1A.
My ever-changing form changes not.
I devour yet am unconsumed.
I am many-tongued, yet a mute.
I am divided only to multiply.
What am I?

 2A.
I whisper without words
I whistle without a tune
I blow without a mouth
I touch without a hand.
What am I? 


Answers may be found on the "Answers" page.  Enjoy!

Wednesday, December 26, 2012

The Red Kerchief - A Story

Happy Christmas to you!  Please pardon my lack of posting - an ill habit I have fallen into of late due to this thing called "Life" which keeps intruding on my (perhaps not too successful) attempts to produce gems of twenty-first century literature.  (Ahem.  Anyway.)

The following is a bit of historical fiction - the first I've ever really written, as far as I recall - and as such it (obviously) does not pretend to be a strictly true story though it attempts to give a glimpse of a very real man.  The beauty of historical fiction is, though, that something very like this could have happened.  And who knows? Maybe it did.


+JMJ
The Red Kerchief
By Caitlin Clancy
Copyright 2012

            John Adam Davidson stood on the corner, watching the pigeons across the street.  He looked, by his mother’s declaration –  and his own agreement – just about as smart and proper as any boy could look.  With his jacket and suspenders and grey trousers, newly acquired from his brother Paul, together with a fine little watch that his uncle had gifted him for his last birthday, John Adam was the picture of perfection.  The high-minded lad nodded sharply, bobbing his driving cap approvingly as he thought over again how his aunts and mother had admired him that morning.  Yes, he had to admit it – for a precocious young gentleman of six years he was a very fine specimen indeed.  John Adam scampered back to the park a few yards behind him as the traffic on the road increased and the pigeons scattered.  He scrambled up onto a wrought-iron bench and kicked his legs thoughtfully as he contemplated the bustle of the London streets, the tea his mother would serve in half an hour (and which he would not be there for if he could help it – an afternoon running in the park was much superior to an hour of being made to sit still while listening to women’s talk), and the large sign above the grocer’s which shouted to the busy city in bold black letters, “WHAT PRICE CHURCHILL?”  And it was a very fine sign indeed, John Adam thought, if for no other reason than because he, John Adam, could read it.  But it was better than that, he supposed upon reflection.  It was not at all like those horrid little smudgy letters in his speller at home.  Instead it was big and brave and did not care what people thought.  It did not cower in the corner of the page, half-unreadable, as his school lessons did.  He returned to the roadside for a more precise examination of the advertisement in question.  Really, he thought, it was more like –
            “John Adam!”
            The boy halted for a second, glanced over his shoulder to see nurse hurrying to catch him up, and then suddenly grinned.  He spun on the heels of his old black shoes and darted down the road with a look on his face that could have rivaled the expression of the infant Hermes when the child-god stole his divine brother’s cows.  Now this, John Adam thought, running, was real fun.  This was cleverness itself.  This was, in fact, adventure.  Where the idea had come into his head from he was not sure, but neither did he care.  He ran through the crowded streets, dodging and ducking and weaving, all the while waving a kerchief – a little red one he had appropriated that morning from his sister’s drawer – above his careless head and shouting “What price Churchill?  What price Churchill?  What price Churchill!” as loud as he could for no reason at all.
            He turned a corner and dashed up the block, passing houses and shops until he came to the Horse Guards Parade.  The mischievous child made to speed by the Admiralty buildings, still shouting to the skies, “What price Churchill!  What price Church – oh!”   Reaping the fruits of his unwary escapade, the boy now found himself staring up into the face of the big bald man whom he had run into full-force as the latter came around the side of a building. 
            “Well, what price Churchill?” the man asked, his eyes twinkling and a smile tugging at his mouth.  John Adam stood and stared for a moment, dumbstruck.  Then, at last:
            “Tupp – tuppence, sir? I’ve only got so much.”  The boy uttered his remark quietly and rather shamefacedly, producing the last of his birthday money from a trouser pocket.  The man laughed warmly and asked, “Will it buy us victory?”  John Adam shrugged. 
            “Might,” the child admitted very quietly, not really sure what to make of the question.  He backed away a little, kerchief clutched tightly in his hot fingers, still looking up at the stranger.  Just then, however, he felt a firm hand on his shoulder and suddenly his ears were full of his nurse’s scolding tones.  What her words were, though, he did not know.  He was absorbed in watching the bald man, who had turned and was now walking over to the Houses of Parliament.   There was an air about him; something grand that left an impression.  And yet he seemed – sad.  That was the word.  Sad.  What price Churchill? John Adam wondered.
            Two days later, in the wee hours, the man was sitting in an office.  It had been a difficult night and, unable to make further progress in his work, he intended to leave now and go to bed.  It was late – or, more properly, early – and in the darkness of a very black morning he felt both tired and discouraged.  He took up his hat and, donning his coat, made to head for home.  Stepping out into the duskiness and chilling silence of the streets, he sighed.  He reached behind him to close the door, but, as he did so, trod on something that crackled like stiff paper.  He looked down and, to his mild surprise, found that someone had tried to jam a stuffed, squishy envelope under the door.  Curious, he picked it up and carefully opened it at the excessively wetted paper corner.  Into his hand fell two pence, and a red kerchief on which was inked in a childish scrawl, “TupHenS foRe cHurChiL! cHurcHiL fUr VikToRy!!!”  The bald man smiled.

Friday, November 16, 2012

The Elevation

Today I offer another poem, this time of recent composition.  I haven't much to say about it except that it follows, in some measure, the speaker's stream of consciousness and is meant to be more a compilation of the speaker's thoughts at the moment of the Elevation than anything too heavily theological (not that I object to such things, though!).  Thus, without further ado:

+JMJ

The Elevation

By Caitlin Clancy
Copyright 2012

Sweet smoke-clouds waft over the silence –
A stillness pervades eager air –

As lifted above the high table,
Of Presence a few are aware.

O halo of light in hard darkness!
White purity over fine gold!

How comes it, my Lord, that You dwell here?
But of this no man is yet told

Gracious gift of the Father to mankind –
Sons of Adam and Atreus all!

Crippled with cravings corrosive
And cursed with the death of the Fall

Yet strangely is given, this goodness –
Upon tongues of traitors He rests

Calling in voice of thin silence
Whom Angels taste not nor request

Thus man in his desert partaketh
In Manna he never deserved

Into his house there descendeth
The one only who perished unswerved

Then round the stone table they gather
The ones who deep mystr’y behold

Eternity blending with time -
Eclipse of new, ancient and old

Simplicity of Godly glory
Comes down like the fall of soft dew

And hear now the words from the Logos -
Bold, good, wild, utter, and True!

Does not our blood rush in triumph?
Do not our souls pound yet amain?

Here in our midst is Existence!
And Beauty Himself is not vain.

Exulting – an ecstatic vigor!
Truly each, every has read –

Receiving for once is Becoming;
These children are raised from the dead.

King’s blood burns surely within them –
Divinity’s untainted flow,

And through dimm’ed veil of the senses
Perceiving the One whom they know.

The silence gives way to proud organ
And fades in the thoughts of men’s time

But still in the silence there whispers
One constant and eternal rhyme –

And only they shall foreknow it
Who took what they, unworthy, love –

And rev’renced with filial wonder
A child, a lord, and a dove.



Sunday, November 4, 2012

The Madness to the Method


+JMJ

Pardon my pause in posting!  Life has been on triple speed and as of late I've not had much time to pursue the art of blogging.  Nevertheless, here is a poem I wrote for my English professor last semester when she required me to use a particular analytical method on a paper.  While the Method was misery, the poem it produced - in the style of T.S. Eliot's The Love Song of J. Alfred Prufrock - was, I think, well worth it.  



The Madness to the Method: A Highly Imperfect Poem for a Highly Infuriating Tool
By Caitlin Clancy

Let us go then, you and I,
Our good senses to defy,
And use methodic madness
For the English teacher’s gladness.

With its tedium
Of broken argument,
The Method wanders with insidious intent,
Into the minds of unsuspecting youth
And rubs its claws
Upon the light of truth.

But do not ask what
More cannot be done –
For, quicker than words run,
There will be time

To murder, uncreate,
That awful thing,
Which, dropped onto your plate,
Has, questioning,

Beat you much
But seldom given aid –
And drowned the voice
Of muse-like fair mermaid

It seems to me that Method
Is a pin
That sticks the panicked poet
To a wall –

In jest, perhaps,
Or some half-cruel sport,
Where aching writer cannot make retort

And I’ll confess me very unsurprised
To find Method on a table, etherized,
And hear its dying voice recall,
Yes, drowning with a dying fall –
But I shall not much miss it,
No, not at all.

Sunday, October 14, 2012

Omnipotence & Analysis


+JMJ

The following poem came into my head some time ago as I was getting up from that blessed state which kindergartners shun and college students find indispensable: the nap.  (Which, now that I think of it, may explain the presence of sleep reference.)  While most of my daydreams and half-waking musings are not worth a ha'penny, I thought this one worth the quill and ink.  I offer it for your judgment alongside a bit of my own analysis, included below. 

“Omnipotence”

By Caitlin M. Clancy
Copyright 2011, 2012

The last drop of ink
From a weary pen
The snarl of beasts
In the lion’s den
The grandeur of Places
Both far and deep
The placid breath’s rhythm –
A child’s sleep.
For who can decide,
Or else can see,
The meaning that one
At once is three?
Who can know,
Or who recall,
The sweet of wine,
The sting of gall?
Only Him
Who never sleeps
Yet who in anguish,
Bloody, weeps.
Recall Him, world,
And do not turn –
Your life will last
Unless you spurn.

To give a bit of my own explanation/analysis: 

The title that has been applied thus far refers to the first series of images – all things that God can see at once, though we cannot (not just in terms of place, but of time as well, since God exists outside of time).  The images include both minute details, like a child’s breathing, as well as things that exist in a broader, more obvious scope ("places/Both far and deep").  The pen, besides being the instrument of the writer, is a relatively modern image while the lion’s den is from long ago – from the story of Daniel. The second half of the poem (“For who can decide…”) asks, in essence, who else but God can know and see everything?  Who but he is Omnipotent?  The final part of the poem (“Recall…”) turns to the audience – the world – and offers a solemn reminder of the choice the world has to make between eternal life and its alternative. (Also, just a detail I happened to notice and find interesting: the first image can show both that God sees things past and present, and also that God’s eye is, so to speak, upon me, the writer, even as I compose the poem.  And upon you as you read it.  Bears pondering, no?)

Sunday, October 7, 2012

The Dance of Midnight Noon


+JMJ

The Dance of Midnight Noon

By Caitlin Clancy
Copyright 2012

The moon
Upon the silver lake
Bids the mid-night
Faeries wake –

Softly, softly!
Stir no leaf –
Bring no mortals
To our heath!

So whisp’ring wind
Wisps and blows
The beam-bathed waves
Where there grows

A dance, a hunt,
A play, a thrill –
Solemn, silent,
Silent, still.

There comes no sound
Of lathe or bill,
Yet war is fought
On yonder hill

And on the beam-bathed
Bath of beasts
The light-foot nymphs
Of woodlands feast

They drink the moon
And take the dark
And rest white hands
On willow-bark;

Ten thousand ships
They launch and glide
In the breath of
Even-tide [1]

And noiseless knock
And break and hark –
The fight is long
While it is dark.

But soon the waning,
Sleeping spark
Of northern star
Fades in the arc

Of coming grey
And fading moon –
The last farewell
Of midnight noon.

And as the dark
Becomes the light
The mortal’s day
Becomes their night

And all is as
It was before –
Save the whisper,
Evermore:

Softly, softly!
Stir no thought –
Lest those of mortal flesh
Be brought.


[1] Refers both to evening – or night in this case – and also to the calm “tide” of the lake.